Browsing: Pop Culture

Art

The radio feature from the series “Zündfunk Generator” deals with new and old strategies of (extreme) right-wing groups (“Alt-Right”) in the USA – in the context of popular culture, pop music and (political) provocation.

European-flavored chips, gas station Nazis, bell hooks “all about love,” the German literary establishment: in this text, Olivia Wenzel, a playwright and performer from Berlin, writes about her writing between things like these.

Art

It jingles and rings, here and there bright bell tones, a wide bass surface moves up and creeps under the smooth keyboard sounds, hisses and hisses monotonously. This album sounds like a video game, threatening, is slick and superficial, this album doesn’t falter for long, you listen to it and realize right away: something is wrong here.

Published in 1998, British journalist and writer Kodwo Eshun’s book spoke and speaks so eloquently about music and identity(s), drum computers and (non-)human bodies, electronic sound aesthetics and Afrofuturism, forms of world appropriation and worldliness of popular music, that one can easily become dizzy.

The track by Berlin rapper Quio (“Qu for quatsch, I for Eisbein, O for Otto-Motor”) tells of national belonging, cultural representations and essentialist notions of “German” culture – and of how crumbling it all is.

The duo consists of Ghanaian and Ghanaian-Romanian musicians M3nsa and Wanlov the Kubolor. They do “Gospel Porn” – making them, in their own words, “the most celebrated Ghanaian music duo in the world due to their most unconventional way of entertaining with ingeniously tasteful shock lyrics, revolutionary performance art & indulgent progressive sounds.”

The online magazine calls itself a “Network for local and global Sounds and Media Culture.” and writes about itself: “Norient searches worldwide for new music, sounds and noise. It discusses current viewpoints of the music world critically, from different perspectives and always close to the musicians and their networks.(…)”