The international online database for female, transgender and non-binary DJs, musicians, composers, producers, visual artists, journalists, researchers and facilitators in the field of electronic music and digital arts exists since 1998 and was founded by the Viennese Electric Indigo.
Browsing: Audios
The series of events took place in Berlin between March and November 2015 and was dedicated to the interrelationships and entanglements of the two thematic complexes.
The Alarm Phone Network wants to support migrants on their routes to Europe with its video messages.
In her manuscript “Keine Angst, mein Herz” (Don’t be afraid, my heart), Berlin-based author and performer Olivia Wenzel tells of racist attributions and forms of resistance, of growing up and reflecting, of right-wing terror and images of fear between Brandenburg, New York, Berlin and Thuringia.
This compilation gathers songs of Turkish and Turkish-German musicians. All the plays were created in Germany until the early 1990s and focus on the life and work of the first generation of immigrants.
The US-American musician Saul Williams processes racist experiences from his childhood and youth in this track.
In her 1966 song “My Country Tis of Thy People You’re Dying,” Canadian-born musician, visual artist, and activist Buffy Sainte-Marie addresses the colonization of the Americas, the mass killings, expulsions, and disenfranchisement of indigenous people that accompanied it, and the centuries-long denial of these acts.
Argentine artist Chocolate Remix makes reggaeton – but without the sexism that is otherwise often inherent in the tracks of this genre.
Names of people from non-Western societies are regularly mispronounced, Europeanized and replaced, or even avoided in use, by members of the majority society in Germany, in Europe, and in the United States.
The United Nations Millennium Development Goals (MDGs) for 2015 were not achieved.In the video, Boniface Mabanza, expert in development policy, explains the criticism of the failed plans and implementations.
In her keynote address at the event “Szenenwechsel – Diversität in Kultur und Bildung” (“Change of Scene – Diversity in Culture and Education”) organized by the Berlin Project Fund for Cultural Education, Maisha-Maureen Auma approaches the topic of diversity from a perspective critical of domination. Diversity forms an important basis for work critical of discrimination – not only in the field of cultural education.
The “Media Shelf (not only) for Children and Youth” contains an extensive and very well sorted collection of media whose main protagonists are Black children and children of color.